Tag Archives: tv show course

Screenwriting Analysis Series: Wednesday – Introduction

Hello, folks!

 

I'm back with an update on my Screenwriting Analysis Series! A lot of things happened in my personal life, most quite hectic and bad, and in the midst of all that I had to move out from my place. So, unfortunately, I lost the IT: Chapter One script I had analyzed up to its half. I'm still looking for it in my boxes and anywhere I can think of because I don't want to lose that progress.

 

However, I don't want to keep you waiting any longer. After watching the whole of the Wednesday series and loving it like there's no tomorrow, I chose to analyse the first episode of that show. Plus, the fact that the Addams family are tied to three of my happiest memories says a lot. Hence I decided to analyse the pilot's script first so we'd both have something to analyze and learn from. 🙂

 

Fortunately, it was easy enough to find now thanks to The Script Lab, which made the pilot script, Wednesday's Child Is Full of Woe, available on their website for free.

 

Wednesday_Script

 

As you can see, I already started analyzing Wednesday's pilot. 🙂 It's going well and it's a real pleasure to do.

 

So, loves, I'll see you soon with the analysis of the pilot script! And as soon as I find the script of IT: Chapter One, it'll be next on the list, promise!

 

Stay tuned!

 

 

Announcing My Screenwriting Analysis Series! (TV Shows & Movies)

Hello hello, folks!

I'm putting together a screenplay, movie, tv show pilot and script analysis series. Why? As a script reader, and future professional screenwriter (you can read my Daphné scene here and my Philip scene there), I thought this would not only serve as an immensely rich training ground for me and you, but also as quite an interesting way to look at movies, TV shows and stories we love and the screenwriting at work behind it! 

Now, what will I cover? In all cases, I will go through the characterization & relationships, the logic, the flow, my overall Impression, my thoughts & what I learned. Depending on whether it's the script, the movie/TV show, or the beat sheet, I will also tackle the format, the cinematographic techniques, the acts, and more. Plus, if the movie/TV show is based on a book or on a series of books, I will add a post that compares the movie/TV show to the book(s) while covering their dialogue, descriptions, characterization & relationships, divergences, techniques, structure & beats.

As for each collection of posts (by collection I mean "each series of blog posts pertaining to one specific story"), here is the order:

  • Script analysis
  • Movie/TV show pilot analysis
  • Beats analysis
  • Movie/TV show VS book (if that's the case)

So, you can expect at least three posts for each story, with the occasional fourth post.

 

As for my first analysis, we'll send the balloon floating with:

 

IT: Chapter One

 

I can't wait to share this new blog post series with you! I hope to see you there so we can learn together about screenwriting. 😀

Stay tuned for more in a few weeks with my very first script analysis!

a reddie playlist, made by yours truly a...

(These two might be my favorites… Who am I kidding?

OF COURSE, Eddie Kaspbrak and Richie Tozier are my favorites!)

TV Show Scene Excerpt – Philip at the Restaurant

Hi, loves!

I've continued writing my TV show, and I managed to finish Philip's exercise scene I mentioned in Daphné's scene. Hopefully, you will connect with Philip and his quirky but loving personality. 

Who is my faceclaim for dear Philip Grayson? The amazing Cameron Monaghan, ladies, gents, and all other folks! Yes, in my head, my Philip is a redhead ^.^.

This GIF of his is my favorite because it's perfect display of my Philip's whole kind yet unstable attitude, vibe, and energy:

 

Being “friends with benefits” with Mason Ashford...

 

Here's my scene for Philip at the restaurant (happy reading!):

 

INT. FANCY RESTAURANT – NIGHT

Philip sits at a small round table. He adjusts his proper jacket and looks around the restaurant in a calm, poised manner. He takes it all in. He taps with his index on the table without noticing it, and watches the waiters and waitresses giving and taking orders, all bustling around him.

WAITER

Hello, Sir. Can I offer you wine and appetizers?

Philip startles as he looks at the waiter to his right. He chuckles and smiles with a characteristic warmth and kindness.

PHILIP

Absolutely. A bottle of red wine, your best, and bruschetti, please.

WAITER

Are you waiting for someone?

Philip glances at his polished shoes, then smiles shyly.

PHILIP

Yeah. I'll wait before ordering, if you don't mind.

WAITER

Not at all, Sir.

The waiter nods and leans closer. Philip straightens up, puzzled.

WAITER

May I suggest the baked fish with lemon cream sauce?

Philip stares into the waiter's mischievous eyes, awaiting an answer to his unspoken question.

WAITER

It serves wonders to impress the ladies…

Philip bursts out laughing nervously. He shakes his head and looks at the waiter.

PHILIP

Who says I'm waiting for a lady? It could be a man. You're not bad either yourself…

WAITER

(grins)

Thank you, Sir. I return the compliment. But with your behaviour and proper clothes, you're clearly looking to please.

Philip smiles and cocks his head, flirty. His smile turns into a grimace.

PHILIP

(whispers)

Don't we all?

WAITER

Actually, no. Still, I suggest the baked fish with lemon cream sauce, it's astounding.

The waiter winks at Philip and walks away. Philip watches him go as if in a daze. The restaurant doorbell tinks, but Philip keeps staring before him. Daphné lowers her head in his field of vision, smiling.

DAPHNÉ

Hi, Phil. You look superb.

Philip opens wide eyes and grin. He jumps to his feet and opens the chair for her across from him.

PHILIP

I'm nothing compared to you, Daph. Look at yourself!

Philip gestures at her gorgeous red dress and elegant hairstyle. Daphné giggles and puts a lock of hair behind her ears before sitting down. Philip helps her, then takes back his seat.

DAPHNÉ

Have you ordered?

Philip bites his lower lip as he observes her, a loving look in his eyes.

PHILIP

No, I was waiting for you.

DAPHNÉ

Oh, you shouldn't have. You know what I like, so…

PHILIP

I'd wait eons for you, so a few minutes isn't a problem.

Daphné grins, then clears her throat.

DAPHNÉ

Thanks for taking me here. We travel so much, yet such places seem… out of reach.

Philip nods, undisclosed emotions battling on his features.

PHILIP

What are best friends for, huh?

Daphné laughs.

DAPHNÉ

You're the best!

PHILIP

I try to please.

Philip opens wide eyes and his smile falls as he realizes what he's just said.

WAITER

I see your guest has arrived. May I take your order now?

Daphné gasps, turning her head to the waiter. Philip startles again before chuckling.

PHILIP

You're magic, man… Sure.

Philip glances at Daphné, who looks at him with a fond smile. Philip breathes deeply, straightening up with confidence and pride.

PHILIP

I'll take the maple glazed salmon with rice, and she'll take the baked fish with lemon cream sauce.

Daphné fakes shock as he orders for her, but she looks pleased he knows what to order to please her. The waiter raises an eyebrow at Philip, then smirks.

WAITER

You've made the right choice, Sir.

A mutual understanding passes between the two men that the choice applies to Daphné.

WAITER

I'll come back with your wine and appetizers.

PHILIP

Thank you.

The waiter leaves. Philip turns back to Daphné, proud. Daphné laughs and shakes her head.

DAPHNÉ

I don't know how you'll pay for all this… Let me help.

PHILIP

No. I saved, that's all. I'm treating you to something better for once.

DAPHNÉ

Why? You don't have to.

Philip looks awkward and vulnerable.

PHILIP

For a change… Because you deserve the best.

Daphné lets out an appreciative sound and looks around them. She then leans over the table and nudges him roughly on the shoulder. Philip laughs.

DAPHNÉ

Thanks, this is nice.

Philip winks at her. The waiter comes back and puts down the wine glasses and the bottle before them as well as appetizers, then leaves again. Philip picks up the bottle and pours Daphné and himself some wine.

PHILIP

(picks up his glass)

To us.

DAPHNÉ

Always us.

They grin at each other and clink their glasses on their promise.

 

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(Don't you just get he yearns to say this to Daphné? ;))

Did you like it? I rather love the distinct format for screenwriting? What do you think of Philip? Did you like him? What about Daphné? Or their friendship?

I've got a lovely story about this character and a hint about what's to come in the TV show: When I first thought of the show, I'd just watched the episode of Gotham in which we see Jerome (played by Cameron Monaghan) for the first time. So, when I imagined my own Philip, I swear he always came with that faceclaim and no matter how hard I tried to change it to see if others would fit best, this face stuck. But I'm okay with this! Philip was my favorite of the two main characters from the get-go. He is kind, unstable, gentle, intense in love (this will cause and sustain the plot), smart, and caring. He brought in the basis of the show: his and Daphné's relationship which grows from deep friendship to something profoundly more complicated. He's not what I'd call a villain per se, but he sure raises the stakes in more ways than one. 

If you have any questions or comments for me about screenwriting, this scene or Philip, please leave comments or contact me on Twitter at @CatGV6 or by email! I'll be so glad to discuss this with you. 

See you next post, lovelies! I intend on writing a fun and emotional scene of them texting and facetiming with each other. Stay tuned for more!

Ciao!

TV Show Introduction & Scene Excerpt – Daphné at the Restaurant

Hello, folks!

So, I've told you a year ago how I started screenwriting. I love it! While I paused the writing of my movie, I'm having a blast writing my TV show, The Carousel! I took three screenwriting courses, including one last month for a TV show pilot and it was not only extremely enjoyable but also very informative (which I'll tell you about in another post as a review). As an exercise in the last course, I had to write a scene where my protagonist went to a restaurant alone. Since I have two protagonists, Daphné and Philip, I decided to write two scenes.

Thus, I am sharing the scene with Daphné so you can get a taste of my screenwriting and connect with her (hopefully). 

My face claim for Daphné Vegas? Camila Cabello, ladies, gents, and all other folks!

I particularly love this GIF because, as you'll see in the scene, this is the perfect display of my Daphné's whole attitude, vibe, and energy:

I got the stuff that you want I got the thing that you need I got mo…  #fanfiction #Fanfiction #amreading #books #w… | Camila cabello, Cabello  hair, Lauren jauregui

 

So, here is my scene for Daphné at the restaurant (enjoy!):

 

DAPHNÉ

You sure you're not coming?

Daphné walks into the diner, speaking on the cellphone. She looks around her.

DAPHNÉ

No, it's fine. Another time. See you tonight, Phil.

Daphné hangs up and puts the phone away in her black leather jacket. She licks her lips and goes to the counter to order. She stands straight and proud, her short boots tapping the tiled floor.

DAPHNÉ

Hello, I'd like a–

The foreign man behind the counter lifts a finger to silence her as he finishes writing down on a receipt. Daphné snaps her head backward, offended, and scoffs as she crosses her arms over her chest.

CASHIER

(smiles)

What'd you say?

DAPHNÉ

(opens wide eyes)

Nothing, I couldn't finish.

Silence. The cashier nods slowly but still smiles at her. Daphné relents and uncrosses her arms, gently tapping her boot on the floor.

DAPHNÉ

I mean: I'll take a hamburger with mustard, onions, tomatoes, and salad, please. Add a root beer. No take-out. Thanks.

The cashier nods, writes down the order on an old receipt. With a wink, he turns and gives the paper to an Arab woman who cooks the order. Daphné waits, looking curiously at the several pictures from their home country.

CASHIER

Here. 9.76$ please.

He smiles at her and opens his palm. Daphné forces a smile and takes out a debit card. The cashier's smile vanishes. Daphné raises an eyebrow and keeps the card up in mid-air.

DAPHNÉ

You take debit, right?

CASHIER

(serious)

Yes.

The cashier hands her the debit machine roughly. Daphné exhales loudly by the nose and slides her card. She gives the machine back with a glare, then picks up her tray and goes to sit at the farthest table, near the bay window.

Daphné eats for a while as she watches calmly passers-by and other customers come in. When she's done, she stands up and gazes at the tray questioningly. She gives in and takes it to the counter. When she reaches the door, the cashier calls out to her.

CASHIER

(curt nod)

See you next time!

DAPHNÉ

(grimaces)

No lo creo, nah… Adiós.

She smiles sarcastically and waves at him. Then, she whirls around and leaves quickly.

 

Camila Cabello Imagines/Gifs - 10. - Wattpad

Did you like it? I rather love the distinct format for screenwriting? What do you think of Daphné? Did you like her?

I've got a funny story about her strong character: While I loved her, I couldn't really grasp her whole personality unlike Philip (her childhood best friend). I thought she was the calm and peaceful one, but writing this scene, I realized she was the one with the loud mouth and ready retorts. Haha, I laughed so hard! So, Philip is the calm and polite one. They both surprised me (mostly Daphné!). In the end, thanks to this exercise, I fell in love with Daphné even more deeply, and now I got a good grasp on her.

If you have any questions or comments for me about screenwriting, this scene or Daphné, please leave comments or contact me on Twitter at @CatGV6 or by email! I'll be so glad to discuss this with you. 

See you next post, lovelies! I'll come back with the scene for Philip!

Ciao!